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Edward Woollen the bride's father
Swap boots for silver stilettos, toss the denim jacket for a faux fur wrap, and finish with sparkling rhinestone jewelry that catches every bit of party light
This piece stands out while staying grounded in function when the lights go up
Born in the 90s after Westwood had established her fascination with 17th- and 18th-century salon culture via her Vive La Cocotte autumn/winter 1995 collection, the dress was directly inspired by the free-thinking French author Ninon de lEnclos, who flitted about the arts scene in flat corseted frocks draped across the shoulders to enhance her dcolletage
It seems silly, yet was completely fashionable for the time
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