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From the moment I heard the theme, Hamilton wrote on Instagram, I knew I wanted to work with Grace Wales Bonner. Its easy to see why: In collaboration with Hamiltons stylist Eric McNeal, the British designer crafted a sublime ivory tuxedotopped off with a matching beret from the London milliner Stephen Jonesriddled with thoughtful references
The skirt, compared to those of the 1500s, is simple, without scaffolding and probably with a simple and light underskirt, and the hair is not styled or held back by nets
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The contrast between a fitted top and a voluminous skirt, or incorporating different fabric finishes like matte and satin, adds visual interest
A bold belt cinched around the waist can completely transform a dress
Volpe in 1972
